ABOUT ME
Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.
And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper. It was her who scanned real time.
She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place. Thanks to her, I was taught
to focus on the papers thoughts and shapes.
And quite often in return, it also gave shapes to my thoughts.
This is the reason why I became an Art Director. When words need help in some form of manner, or even with little company, that’s where I step in.
I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean
I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.
What touches me most are billboards that float in your imagination and explosive packaging.
I love the ideas grasped from reality and then flipped completely upside down.
DEVELOPMENT
"Imagination is the beginning of creation."
George Bernard Shaw
GRAPHIC DESIGN
"Effective problem solving in design requires a balance of strategy and spontaneity, intelligence and creativity."
Maggie Macnab
BRANDING
"Brand is the promise, the big idea, the expectations that reside in each customer's mind about a product, service or company. Branding is about making an emotional connection."
Alina Wheeler
WEB DESIGN
"WHEN IT COMES TO WEBSITES, CONTENT IS KING. BUT GOOD DESIGN ADDS CREDIBILITY TO THE CONTENT."
Unknown
PHOTOGRAPHY
"What makes photography a strange invention is that its primary raw materials are light and time."
John Berger
FRRGGD71M05L219T
P.iva 08047210011
Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.
And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.
It was her who scanned real time.
She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.
Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.
This is the reason why I became an Art Director. When words need help in some form of manner, or even
with little company, that’s where I step in. I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.
I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.
What touches me most are billboards that float in your imagination and explosive packaging.
I love the ideas grasped from reality and then flipped completely upside down.
Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.
And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.
It was her who scanned real time.
She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.
Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.
This is the reason why I became an Art Director. When words need help in some form of manner, or even with little company, that’s where I step in.
I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.
I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.
What touches me most are billboards that float in your imagination and explosive packaging.
I love the ideas grasped from reality and then flipped completely upside down.
Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.
And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.
It was her who scanned real time.
She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.
Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.
This is the reason why I became an Art Director. When words need help in some form of manner, or even with little company, that’s where I step in.
I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.
I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.
What touches me most are billboards that float in your imagination and explosive packaging.
I love the ideas grasped from reality and then flipped completely upside down.
Ever since I was a child, I followed a character on a paper line that always came up inventing spaces in continuous movement. I saw her running agitated, constantly exploring and experimenting.
And thus I also started following and chasing her, learning from her jokes as she continuously repeated the process on that same piece of paper.
It was her who scanned real time.
She taught me how to use imagination with caution, because when applied too quickly, it escapes sporadically all over the place.
Thanks to her, I was taught to focus on the papers thoughts and shapes. And quite often in return, it also gave shapes to my thoughts.
This is the reason why I became an Art Director. When words need help in some form of manner, or even with little company, that’s where I step in.
I believe that a strong visual must necessarily have more decisiveness with its author incertitude’s, because looking at it all, those same doubts could dissipate. This is why I don’t speak much, but I love the words that make you imagine what I truly mean.
I believe in layouts that tell a story and header’s that you can truly see, oriented to a marketing made also of pure image and not of pure numbers.
What touches me most are billboards that float in your imagination and explosive packaging.
I love the ideas grasped from reality and then flipped completely upside down.